Why Salimpour?

This question has come up a few times since I started my training with the Salimpour program two years ago. My answer today is a little different than it would have been then, or even as recently as a year ago. I attribute this to the clarity I've gained since beginning my journey with the Salimpour School of Dance - clarity that has helped me understand who I am as a dancer and why I dance.

Several years ago, my education with Suhaila began with two workshops. The first, a drills workshop, was unlike any class I had taken previously. I was confused, intrigued, and not entirely convinced I was enjoying it as my brain and body fought against each other for control of the finger cymbal patterns I was playing while simultaneously executing layered movements in a language I didn't understand. Still, I knew I enjoyed the sweating and arse kicking! 

The second workshop, choreography, was no different in its challenging allure and the class had dwindled noticeably by the end, with many opting to step aside to nurse burning calves and tired feet. Those of us who made it through the end felt a sense of accomplishment and we bonded by the shared experience of having "...Survived a Suhaila Workshop" together.

Fast forward a few years later, Suhaila would be in Atlanta offering the SL1 intensive and testing option. The sponsor and host studio, Faaridah and Atlanta Fusion Belly Dance, hosted the JL1 intensive the previous year, but I was unable to attend. When the opportunity presented itself again, I made sure my schedule was clear. I was looking forward to the technical training and, yes, excited for the butt kicking! At that point, I had no intention of testing as certifying wasn't a priority for me. The SL1 weekend included a student show, in which dancers from across the country gathered to perform Salimpour choreographies from both the Jamila and Suhaila catalogs. It was an honor to participate and I was thrilled to experience first-hand the intimacy and close artistic bond the dancers of the school share.

The next morning Suhaila joined us to talk about the previous night's show. She was warm, gracious, supportive, and so genuine in her appreciation of everyone's efforts and hard work as we shared her mother's choreographies alongside her own. She acknowledged the growth she had witnessed in her students and how much she enjoyed meeting newer students through their dance. I was struck most not by what she was saying, but what she wasn't saying. While authentic and complimentary in her words and smiles, Suhaila never once offered flowery or vague praise. We weren't "amazing", "incredible", "awesome", or "perfect". We were dancers doing the work, practicing our craft, and learning from the experience. It was in that moment I realized I wanted this level of training. I wanted the physicality and dance conditioning because yo', you sweat and burn when it's just the warm up! There's normally a few side-eyeing the clock and, yup, it's only the beginning... 

Photo courtesy of Studio Jaki (www.studiojaki.com)

Even though I knew I wanted the training and drills, I was still not convinced I wanted to test. I had my reasons. First, I felt I was a hot mess during the drills, my body and cymbals were having a battle royale, and I wasn't sure I was ready to take the written exam. I had also heard dancers say it was "hard to maintain your CECs" or the program became "too expensive", so they lost their certification. Both Yvonne, a sweetheart and Salimpour teacher based in FL who directs the Florida Salimpour Collective, and Suhaila encouraged me to test, but never pressured me, which I really appreciated.

As I considered the option of testing, I researched how CECs were acquired, looked into the costs of the program, read blogs, and talked to the committed students of the school. After much consideration, I opted to test. As Suhaila talked with the testers before the process began, I came to understand she wasn't looking for perfection. She was looking for effort and needed to see we understood the minimum needed to begin the next level of our training. Achieving level 1 didn't mean we had "mastered" the level. Much like a martial arts school, it meant we were ready to delve more deeply into the material.

It was during my first SL1, I realized I wanted to learn to play finger cymbals as a percussive instrument, not just as an accent piece or prop. This was incredibly intimidating for me because, although I had played numerous times before while dancing, they were basic patterns. Jamila and Suhaila's finger cymbal patterns combined with the drills and layering seemed like something I would never be able to master with any sense of grace. The idea of being able to play interchangeable patterns well to this music I respect and love motivated me to face my fear of failure and fail I did. During my SL2 test, I was so intimidated to have to perform the SL2 drum solo, well... solo... in front of Suhaila and the class, I completely froze up. I was shaking, not breathing, and could not get my finger cymbals going in any kind of meaningful way. It was as if I had never held a pair in my life and I wasn't crushing the choreo either. I was SO disappointed in myself. Suhaila and my fellow classmates could not have been kinder or more supportive. The next day I gave it another go. While it was far from awesome, I got through it.

I've now been in the program just over two years. I have pushed myself in ways I had never explored previously in my training - both in my physical reach through drills/conditioning and studies (i.e. studying and reading, finger cymbal drills, test preparation, etc.). I view the time and financial commitment as investing in my education.

I'm also fortunate to be a part of this community of dancers. The respect and support we have for each other is indescribable. With each shared experience, usually through intensives and/or testing, we become more deeply bonded. It's a really cool feeling of accomplishment after we go through five days of intense training together. You're amazed by your mind and body's ability to power through until the sweet moment when you hear, "Ok, go ahead and bend it forward" (LOL!) and before you know it, it's the last day. You DID IT!

When I first started training in this format, some dancers asked if I was worried about losing my "style" or concerned I might be sacrificing my individuality and artistic expression or voice. While I can understand why someone might think this, I've come to understand it's through this program that my individuality and voice grows stronger. I don't feel I've had to sacrifice any artistic license on my part. I'm still me when I perform, whether it's my own work or the work of the Salimpours. Dancers are empowered to express who they are and carbon copies are discouraged :)

While technical training and drills are important and a big part of the Salimpour training, I appreciate it's a comprehensive program. It's truly a "school" offering dance drills and technical training, music and cultural education, history, and performance development.

One of the more personal reasons I choose to study with the Salimpour School - I'm learning I don't have to be perfect. It's through hard work and mistakes that I'm growing as a dancer, performer, and person. I won't soon forget Suhaila's words, spoken in reference to a performance - one after which I was beating myself up and apologizing to her because I blanked on her choreography during a solo and had to improv on the spot while performing FOR HER and a gracious audience. She said simply with a smile, "Perfect is boring. If it had been perfect, what would you have learned?". 

Touché, Suhaila, touché :)

When I, first, started my dance company with my dear friend and co-founder, Stephanie Colletti, in 2010, I never imagined I would be where I am today in my dance journey. Thank you to Stephanie, Suhaila, the Salimpour School of Dance, and my GA Salimpour Collective sisters for being a part of this ride with me!
Thank you for taking the time to read this! Wishing you the best in your dance journeys!

A member of the Georgia Salimpour Collective, Jenny is SL2 and JL1 certified and is working on her JL2 certification.

To learn more about the Salimpour legacy and program, please visit: www.salimpourschool.com.

An Eye Opening Start to 2012

I often read about challenges within the belly dance community. As I do, I find myself sharing many of the same feelings regarding these common issues. But, I’m glad to say I’ve also had some recent experiences that have illustrated the passion, dedication, and high level of ethics many already practice in their training and teachings.

For me, 2012 started with WBDA’s hosting of the beautiful Alicia of BellyCraft. As anyone who knows her can attest, she is truly the consummate professional. It was beyond easy to work with her as she was not only responsive, but focused on making sure all workshop attendees had a wonderful experience. Alicia’s professionalism helped me plan and coordinate a weekend that exceeded my highest expectations. I knew a January workshop weekend could be a challenge because it’s right after the holidays. But, as I reviewed the calendar of belly dance events, the time and date in question seemed to present the best window of opportunity. Game on!



As usual, the workshop attendees really helped make the weekend a success. Every dancer came ready to learn and sweat. I was delighted to see dancers of different backgrounds participate with a genuine sense of community, which was further supported by the incredible show on Saturday evening. We welcomed dancers of all styles – Gothic, Tribal, Egyptian, World Fusion, Cabaret, etc. because I wanted it to be an evening in which all styles would be recognized and celebrated. Not surprisingly, the feedback from the audience was great.

Many didn’t realize there were so many styles within this genre of dance and it didn’t hurt that Alicia, our headliner, not only wowed the audience with her performances, but was incredibly encouraging to both attendees and performers. She was all about inviting students to perform in the show alongside our talented teachers and she was appreciative for the generous donation of each performer’s time. Many of these performers are working dancers and/or teachers who are not often paid to perform in these types of gala shows where the local community is welcoming an artist for the weekend. Nevertheless, they choose to participate for their own reasons, of which there are many. Some perform to help promote and market their projects; others do so because they have a genuine love of the stage and performing. Some do it as a favor, while others do it to support the community. For many, it’s a combination of these reasons plus many more. Regardless of their various, valid motivating factors, all of the performers were professional and supportive of each other. They treated this show as they would have any larger show held on a huge stage at a world-renowned venue. The same dedication and professionalism were present and the audience (and I) sensed it and very much appreciated it.

Then there’s Pera Dance. Since I’ve known them, this Atlanta studio has been beyond supportive of the Raqs community. Not only did they allow me free reign over their studio space the entire weekend, they also trusted me to layout the space as I needed for both the show and the photo shoots by resident professional photographer, Jaki Hawthorne of Jaki Hawthorne Photography.



The attendees, Pera Dance, and of course, Alicia herself – they all helped me create a beautiful weekend. But what could it have been without the support of my (our)students and my troupe members? From the beginning, I could see they genuinely wanted it to be a great weekend and they worked tirelessly for the duration to ensure everyone walked away with a great experience.

The weekend was a stark reminder to me of the dedicated professionals and students who make up our Atlanta dance community. My dear friend, Nawar, also came all the way from Miami to support and participate in the festivities. Motivated only by the kindness of her heart and her belief in what we’re trying to accomplish with World Belly Dance Alliance, she captured and compiled extensive footage, which resulted in amazing video recaps of the workshops.





Now fast forward a few weeks. I found myself in Charlotte, NC, where Naima Sultana of Raks Sultana sponsored me for a weekend of workshops and celebratory show. This was my first out-of-state full weekend intensive where I was the primary instructor and it was very interesting being on the other side of the fence. This time, I was the instructor and not the sponsor.

As many of you who have sponsored these events can attest, the cold reality is that it’s much easier to promote an established recognized name than a virtual unknown. Still, Naima could not have been more professional and supportive in her marketing efforts. I have been in the sponsor’s shoes before and I understand that for these events to be successful, timely responses and marketing by both the sponsor and hosted teacher are crucial. These events simply cannot happen if both parties do not work together. To say I was blown away by the number of registrations and how far many traveled to join us would be an understatement. My hats off to Naima who deserves so much credit for her responsiveness and scheduling prowess, both of which greatly contributed to the success of this event.

I have encountered some formidable students and I must say, the NC workshop attendees would be counted among these! They came ready to learn and I truly enjoyed working with them. These ladies made it easy to amp it up and they were able and willing victims, LOL! Naima also coordinated an amazing show at the Chop Shop in Charlotte – the perfect venue for a relaxed and intimate vibe. The owners are extremely supportive of the local arts, which is a huge plus in my book! The individual numbers were beautiful and I was not only impressed by the performances themselves, but the genuine support every artist shared with her sisters in dance. So much love - we joked - people were going to get toothaches!

It was really something special to be there to share in those moments and I felt like an honored and very-welcome member of the NC dance community. I’m so grateful to Naima for taking a chance on me and to the dancers who took the time out of their weekends to attend the workshops. I walked away with an experience I will never forget and wonderful new friendships I know will last a lifetime.

Finally, we arrive at an event I hosted with the beautiful and talented Amani Jabril. Together, we conspired to host a night of belly dance at Laura’s NYC Pizza in Roswell, GA. By no means was it the typical venue or location for a belly dance show (“OTP” – Outside the Perimeter in Atlanta – unheard of!), but we endeavored to provide a performance platform for students and teachers/professionals to share their art in a new and unique environment. Once again, support from students and fellow teachers helped make the event a success. It was so wonderful to see our students, Heleshia, Tamara, and Sheri, performing choreographed and improvised pieces.



And of course, there was Amani - a consummate professional who brings the same energy to a small, local stage as she would a large stage in Lebanon. She shined as always and it was a sight to behold. With fellow teachers and students from the community in the audience, along with a few patrons from outside the belly dance community, the evening was a special kind of magic. Based on the success and interest, we’re hosting the next show on April 28th!


As a teacher, performer, and lifelong student, I believe we owe it to the audience, students, and sponsors to always put our best on display. The moment we believe they owe us, we begin to perpetuate and promote that which may limit the spirit and passion not only within ourselves, but of the art itself. That’s not why we’re here.

Sometimes, we tend to focus on what we dislike in the community. Because I feel so strongly, I am as guilty as anyone else at times. But with this post, I wanted to highlight some of the positive things I’ve seen since the start of the year - and it’s only February! All kidding aside, I am truly fortunate to count myself among such a high caliber of women including students and teachers/professionals. There are so many dedicated teachers out there who are trying and training tirelessly to bring you the best in this art form. They join many performers who treat every show as if they are stepping on to a Broadway stage and many students who want to take their studies to the next level simply because they love the dance.

Let’s continue to work together to further belly dance throughout the universe and bring this beautiful art to the masses. It’s a phenomenon which deserves to be recognized as an unparalleled form of self expression!

These recent events and partnerships have shown me the future of belly dance. There are many dancers in the community working hard to showcase this art and the spirit of love and togetherness it represents. I thank you and am truly honored to dance among you! Shimmy on, ladies!

~Jenny

...I owe it all to this woman.

Miami Bellydance Convention 2011!

What is the Miami Bellydance Convention, you ask? Are you kidding?! International belly dancer - and the best boss ever! - Nathalie Zarate brings a highly anticipated weekend of belly dance competition and performance every Labor Day Weekend (September 2 - 5) to Miami, FL! It's only the BIGGEST belly dance event in Miami! Already known for great food, dynamic culture, beautiful beaches and hot climate, the MBC brings even more HEAT to South Florida.

The Miami Bellydance Convention has grown each and every year, bringing talented instructors and performers from all over the world to share their interpretation of the dance we have all come to know and love, teaching workshops to eager belly dance enthusiasts from beginner-level to seasoned dancers.

So what should everyone look forward to in 2011?

• Change of venue! The 4th annual MBC will be hosted at the Hyatt Regency Hotel in Downtown Miami
• Bigger dance spaces (workshops)
• A wider variety of vendors and merchandise
• A fierce fashion show
• Pre-gala formal cocktail reception
• An amazing gala show featuring worldwide talent
• Open preliminary competition
• After-parties!!

The cast of MBC 2011 include the following*:

*For a complete instructor list, please visit www.miamibellydanceconvention.net.

• Yvonne Pereira (Winner, MBC 2010)
• Joana Saahirah (Egypt)
• Mayra Huzid (Argentina)
• Belly Queen (New York)
• Moriah Chappell (USA)
• Renata Lobo (Brazil)
• Lacey (USA)
• Valerick Molinary (Puerto Rico) and many more!

The competition is going to be ON FIRE this year. With amateur and professional categories, there's a little something for everyone. If you want to push yourself and your craft to the next level, be sure to register for MBC 2012's competition. 2011 categories are officially CLOSED.

If you plan to attend the Miami Bellydance Convention this year and are interested in reserving a room at the Hyatt Regency, you must do so by August 22nd before the rates increase. Take advantage of the discounted rate NOW!

DO NOT miss this event! If for one reason or the other you can't make it this year, there will be an even bigger, better Miami Bellydance Convention in 2012. The Saturday evening professional gala show will be available for viewing online so join the MBC Facebook Fan Page for upcoming details on how to watch the show from the comfort of your living room.

On a personal note, I lived in Atlanta when the MBC started so I haven't really experienced it. I took one workshop last year, which was my only exposure to the event. I must say that I cannot WAIT for Labor Day Weekend. I will be working/performing at this year's MBC and look forward to what will prove to be nothing short of an amazing experience. Don't wait three years like I did. Get your butts down to Miami and experience the MBC!

A glimpse of MBC 2010




What to expect in 2011

Important links:

MBC

www.miamibellydanceconvention.net

MBC Facebook Fan Page

http://www.facebook.com/pages/Miami-Bellydance-Convention/214122911954975

Hyatt Regency Online Reservations

https://resweb.passkey.com/Resweb.do?mode=welcome_gi_new&groupID=3413886

See you at the Convention!

Abandonment

Wow, I've really abandoned my "weekly post" weight loss check-ins, eh? Too busy! There is so much going on in my belly dance world! I have not stepped on a scale in days but my jeans are loose!!! Yay! :)

Week 1

3 pounds gone!

New Class with Nawar at Dreams Bellydance Academy!

Greetings, all!

Wow, half a year has passed since I last wrote.... so amazing how time flies. Life has been busy and exciting! I quit my [day] job and landed one the week after (declined it, have been on a nice hiatus for a few weeks but accepted it later...), I performed in my first belly dance theater production, SHUKRAN, produced by Nathalie Zarate of Dreams Bellydance Academy and the Miami Bellydance Convention, and I started an event planning company with my cousin (Design Envy Events -- website will be launching soon so stay tuned!). I decided to take life into my own hands and pursue my dreams, which of course, also include belly dance. :)

My new Level 1 class begins on Saturday, July 9th at 1:30 PM at Dreams Bellydance Academy. I am thrilled and honored to be teaching Nathalie's belly dance style. The world of belly dance is a large one, no doubt... but it always blows my mind how different the dance can be; from the names of movements to the execution. You never forget where you came from and I am happy to have received my foundation but I have learned a great deal and I've been growing as a dancer. I am pleased with how far I have come and can't wait to grow even more.

So, the actual purpose of this blog is a pinch of information and a pinch of public humiliation. I've shared my whereabouts for the past six months so here comes the public humiliation part. I know this is something quite common nowadays... blogging, I mean, ... however, I am hopping on the bandwagon. I am probably at my heaviest weight right now and I think I've reached my max. It hasn't helped that I live in one of the hippest areas with lots of fabulous restaurants that I can't get enough of. Add to that the fact that I've been pretty stagnant for the past five weeks since I've been on my self-proclaimed vacation and that equals weight gain. I am putting my foot DOWN. For clarity, I will be doing it the "right way" and not by means of fad diet or cosmetic surgery. That's right! I'm forgoing Rocco's Tacos, Bayshore Thai and La Bonne Crêpe... at least for a while ;). I will be - dare I say it - exercising!! There are some things that happen to us in life that are out of our control. Weight is not one of them! I will be recording my journey on WBDA!

I am debating whether or not to post my starting weight... but I will check in weekly, announce what better be my loss for the week, or my gain, and will do so leading up to my "25th" birthday. Note the air quotes on that...heehee.... I am highly motivated and I know I can do this the right way this time around.

Visit www.dreamsbellydance.com for all of the fabulous new classes being taught at the studio, including a sexy belly burlesque course taught by Valerick Molinary, and a morning Summer Shimmy Workout class taught by Annemarie, and I will check back in a week! Don't forget, Level 1 starts Saturday, July 9th! See you there. Wish me luck!

2011 Thus Far?

As we often start off the New Year with goals and resolutions, it is a good practice for us to regularly review our progress to ensure that we are on track. After all, if we aren’t progressing, we aren’t growing, right? So, how much progress have you made with your belly dance goals in 2011 thus far?

Let’s see…I have discovered a gold mine of a teacher in Aubre Hill and transformed my bellydance style after meeting and training with Ansuya. What honors! I have also had the opportunity to attend my first Belly Dancer of the Universe Competition in Long Beach. This event was truly amazing: dancers competed to live music that they had never heard before. They also had to compete in a drum solo face-off immediately after performing to unrehearsed live music . These women (and one man) were truly talented. This year has gotten off to a great start for me and bellydance. I feel that I have learned so much in just a little bit of time.

I can’t wait to see what the rest of the year has in store: continued training with Aubre Hill, meeting up with WBDA’s Jenny Nichols at my first TribalFest in Sebastopol, CA, June workshops with Rachel Brice, my 3rd Zulu Lounge experience (where R.B. herself will be performing), workshops with Anasma and so much more!

Next up though: my 2nd Raqs L.A. experience this weekend! Last year Taaj and I flew out from Atlanta to attend this event. Now, I will be attending as an L.A. resident! It’s amazing how much things can change in just one year. I am especially excited about April Rose’s Bellydance vs. Hip Hop workshop. Ssssssss!!!!

So, how has this year been thus far for you?!

~Daneen

My Dance Style: Freedom Style

I had the opportunity of seeing Ansuya perform Saturday night. She was amazing! Since I started belly dancing a few years ago, I have had the opportunity of introducing my friends and family to something new. I had another opportunity to do so this past Saturday night. I gave my friend a head’s up while driving to Donavon’s Studio Iqaat, “Now, you will be seeing two styles of belly dance tonight: traditional cabaret and tribal fusion. You will see what you envision when you think of a belly dancer as well as another version.” The best way that I could define fusion style was as the form of belly dance that is not performed while in a sequenced costume with heels and a skirt to traditional Middle Eastern music. But rather, when performing a fusion number, the dancer would be in pants with gaudy silver or copper jewelry dancing to hip hop, rock or eclectic music.

Well, if you have ever seen Ansuya perform, you are very likely to understand the conundrum I experienced when trying to ‘categorize’ her dance style. She entered the stage gracefully spinning with her long flowing hair, red sequenced bra, two veils, coin sash over her pants, and of course, zills. Clearly these are signs of a cabaret dancer, right? Wrong! Shortly after she made center stage, the beat dropped and all heck broke loose! Ansuya danced with soft and light as well as sharp and hard movements. She also performed floor work with body undulations while in a full back bend. I’m saying to myself, “I’m not quite sure where to place her. Which style does she belong to?” I knew that she was belly dancing because I could clearly see the veils, zills, turns, camels, shimmies, back bend, snake arms, etc. But, where does she fit?

Even though I could not determine where to place her, all I could think was, “Wow!” When watching Ansuya, you see the emergence of all things feminine: sassiness, flirtation, confidence, empowerment, sensuality, and seduction. She exuded all of these qualities while also commanding respect.

With having two main belly dance styles in my mind, I have been really contemplating on which style I would pledge my allegiance to: cabaret or tribal fusion. Cabaret has a very special place in my heart as it was the first style of belly dance to which I was introduced. However, there is a part of it that feels constricting and limiting because the expectation is that you will be ‘ladylike’ by society’s standards. So, I have been drawn to tribal fusion where the expectation is that you will push the envelope and show strength as a woman. Still though, as soon as I begin to think of myself as a tribal fusion dancer, I miss the association with cabaret.

Having been facing these questions about my journey in belly dance, I am convinced that watching Asunya perform and having the opportunity to study with her on Sunday was definitely a divine occurrence. I now know that rather than choosing cabaret or tribal fusion, I can choose both styles and everything in between. Furthermore, I don’t have to limit a single choreography to fit within one style either. When discussing this at her workshop on Sunday, Ansuya described her style as ‘freedom style.’ The next time anyone asks me which style of belly dance I study, my answer will be freedom style! Thanks Ansuya!

~Daneen

No Destination; Only the Journey

It has been two days now, and my glutes are still sore! On Sunday, I attended Part 1 of Aubre Hill’s Technique Intensives. Though I have been a student of this art form for almost 4 years now, using my glutes in belly dance is unchartered territory. I found myself becoming frustrated and embarrassed for struggling with what seems to be a fundamental of fusion dance. Despite my background being in traditional Egyptian cabaret, I have dabbled in fusion. Shouldn’t I have mastered the basics by now?

Then, I remember Aubre’s opening message: we are erasing all judgments and negative self-talk while we become fully aware of our bodies as we awaken muscles that lie dormant within. She informed us that there is no such thing as perfection with this art form because we are always discovering new layers and combinations that challenge us while also maintaining what we have already discovered.

Ahhh, Aubre’s message reminds me to breathe and take it all in stride! In belly dance, there’s no destination…only the journey. I can’t wait for Technique Intensives Part 2. Obliques, get ready! Until then, I'll be drilling my glutes. ;-)

~Daneen

Technique Tune-Up Intensives with AUBRE

January 23, 2011 - Glutes, Glutes, Glutes
February 13, 2011 - Oblique Fun
March 20, 2011 - Beautiful Arms, Hands and Upper Body
April 10, 2011 - Turns and Traveling for Belly Dancers
May 15, 2011 - Geometry of Hipwork

Visit www.dancegardenla.com/events.html for registration details.

Learn more about Aubre Hill at www.aubredance.com.

Resolutions

January 1, 2011

Alright, so.... I was really trying to avoid making resolutions this year because, let's face it... I'm still waiting on me to work on things I promised myself from 1995 but considering the fact that the Mayan calendar predicts 2011 to be our last non-apocalyptic year, perhaps I ought to start making up the for the last 16 years. Here are my top five for 2011:

Number 5: Spend less time behind a computer screen.

The amount of hours I spend looking at a computer on a daily basis is absurd. I use one at work for eight hours and then come home and try to convince myself that I will merely "check my email". In this era of social networking, e-commerce and online audiences of people who broadcast how cute their puppy looks while sleeping via Youtube really makes it difficult to leave the couch and be more productive. Well, NO MORE! I'm going to work on that this year... starting right after I finish typing this blog... ;)

Number 4: Get more sleep.

For some reason, I found it extremely difficult to sleep at a decent hour last year. I blame it on the computer and the awesome re-runs of Criminal Minds that I've become addicted to lately. I used to go to bed at a reasonable hour - 10 PM, no later than 11. Now, I drag myself to bed around the 1 or 2 AM hour. Last year alone, I lost approximately 730 hours of sleep, or roughly 30 days. 30 days!! I'll never get that time back. This MUST change.

Number 3: Travel more.

There is so much world out there for me to experience and this year, I want to see more of it! I want to visit three countries I've never been to, surround myself with new culture and try new food. Well... I take the food part back. I am the pickiest eater and won't eat something simply based on how it looks when it's alive so... maybe I'll just stick with surrounding myself with new culture. :)

Number 2: Finally get rid of Joey!

Some will know what I mean, some won't, and I'm ok with that. :)

And my number 1 resolution for 2011... drumroll please... Maintain a positive state of mind.

I'll admit, I have not been the most positive person in the world. In my mind, the glass is usually half empty. What a sorry way to live, lol. I have an uncle, well, he's my mom's uncle. I'm not sure what our relation would be labeled as on the family tree but let's just call him my uncle. The man is in his 70s but you would never know it. He has looked the exact same since I was a little girl. He hasn't a care in the world and for that reason, he hasn't a wrinkle on his face. I always joke with my mom and ask her where the fountain of youth is that he drinks from or when his next Botox appointment is because there is no way he can look so youthful and vivacious at his age! He always has a smile on his face. I have never once seen him get angry - it's so amazing. I want to be just like him when I grow up, starting today. I will try my best not to honk and flip off people who turn into the lane I'm coming down, only to then drive 10 MPH in front of me.... I will try my best not to be so self-critical whether it be my hair, weight, my choreographies or what have you.... I will try my best to maintain a positive outlook on life in general and remind myself that there are so many people in the world who would kill to have my "problems" because for them, it'd at least mean three meals a day, clean water and a roof over their heads. I am truly blessed to live the life I do and I will remember that daily.

I realize that around January 30th some will have gotten wasted every weekend, smoked 60 packs of cigarettes, or decided to see for themselves whether or not Morgan Spurlock was really on to something in "Supersize Me". Whether you've vowed to stop drinking, quit smoking, lose weight, etc., I wish you an amazing 2011; or perhaps you've decided to start this year off resolution-free. Simply remember that our lives are a result of our states of mind... and in the words of Drake, my current love, "...everybody dies but not everybody lives." It's 2011. Live, my friends, LIVE! LoL. HNY!

Yum

2010: A Year in Review

Well, here we are again; another end to another year, and what a year it has been! I moved back to South Florida, lost friends, made friends, went green and recycled dates one too many times with the wrong man-friends, got a new "day job", bought way too many pairs of shoes, moved into a new place, fell in love with Drake.... so much has gone on but the one thing that stays consistent in my life, like man's best friend, is belly dance. I didn't think it was possible to fall any deeper in love but by the looks of my waving white flag, I've surrendered. It's a sick love affair. Belly dance has been there for me in the morning, late at night when I close my eyes, hoping to reach REM before the alarm sounds, and all the hours in between. I dance while showering. Who does that?! -Sidebar, if you do that please email me so I can feel less strange. End Sidebar-

Shortly after being exposed to belly dance a few years ago, I felt confined. I felt as though I'd hit a ceiling and could not advance to where I wanted to be for multiple reasons that I won't divulge here. I did not wish to color within the lines or be a cookie-cutter dancer, bringing one's opinion of what a dancer should look like or dance like to life. I'm not a puppet. I've always been a "think outside the box" kind'a gal. I just want to be me. This year, after my move back home, I felt a surge of growth. Whether belly dance, ballet, hip-hop or any other genre out there, dance is all about growing; learning from others to become a better and stronger dancer and this year, I got the growth I've been seeking and can't wait to continue. I actually place my head and back against my living room wall and, using a ruler and marker, I note my belly dance growth. If you didn't think my dancing in the shower was weird, this'll do it. ;)

In 2010, I stood out and was "recognized" by big-named talent on three occasions while participating in various workshops. Yes, I counted because it meant so much to me. Leave me alone! They were such humbling experiences and lit a fire under my butt to grow even more and continue to be me. Who knows, maybe I'll enter competitions next year. I'm a Libra, which means I don't handle rejection well so I'd have to be emotionally prepared to face the consequences of losing if that happens, ha!

In 2010, I was fortunate enough to be invited by Nathalie Zarate, owner of Dreams Bellydance Academy and founder of the Miami Bellydance Convention, to teach at her studio. No matter what kind of day I had from 9 AM- 6 PM, the minute 8:45 PM rolled around I was the happiest and luckiest person because I got to escape and share my interpretation of music and movement with a wonderful group of women. Teaching has always been an awesome feeling.

In 2010, WBDA was born! Momma Jenny [no relation to the pizzeria] and momma Nara got together and hatched a beautiful baby and I am so excited to be a part of it. I guess I'd be a second cousin to this baby but no matter the relation, I love it unconditionally. It was an honor to team up with WBDA to throw the April 2010 hafla and I cannot wait to work with them on future projects. Love you, ladies! Let me also shout out daddy Lee and the wonderful work he does as well!

When I sit and reflect, as I so often do, 2010 was a pretty good year but I am sooooo psyched for what is in store for 2011. January is already looking fabulous and there is so much more in the works. I can't wait to share my experiences with you as they happen. I can't give it all away now! Who wants to see a movie after being told what happens? Not me! So, you'll have to stay tuned. ;)

Happy New Year, everyone! Until next year. :)

Rakstar 2010

This past weekend, I attended Virginia's 10th anniversary celebration - Rakstar 2010. The 4-day event took place in Miami Beach, FL and dancers from all over, including dance friends Faaridah and Hadil of Atlanta Fusion Belly Dance, flew into South Florida to take part in this memorable event. Several workshops were offered, taught by masters of our craft: Asmahan, Yousry Sharif, Amir Thaleb, Jillina and Virginia herself. In addition, the weekend was full of fabulous shows (with guest performer Karim Nagi) and a competition so there was a little something for everyone!

I participated in two workshops and was a guest of the Friday night theater show, so aptly titled "ONE". There was such a wonderful, eclectic mixture of art within the production. To sum up, one's eye was dazzled with sand, instruments I've never seen/heard before, chairs, modern dance and even aerial silks! Beautiful performances were executed by Virginia, Wa Nour al Ayun and Fuzion Dance Artists. There was a mixture of Oriental, folklore as well as world dance fusion numbers. I particularly loved Act 2, which included Indian, Spanish, Asian, African and Brazilian fusion. I loves the Samba. Yes, I said "loves".

One of the highlights for me was Karim Nagi. This was my first time seeing him live and it was just absolute, unequivocal FUN. I officially love him. His performance, his expressions and little nuances... his ability to engage a crowd and generate this dynamic energy are all admirable qualities. Good, Pure, Fun. Asmahan performed two numbers as well and it was impossible for me to take my eyes off of her. She entered the stage "Asmahan style" - love her entrances - and put on a fabulous show. I've only ever seen her dance on YouTube, which, damn! If you haven't seen her, YouTube her... so, watching her move in person was wonderful!

Regrettably, photography was prohibited so I don't have photos to share but I gather that professional photos will be available for viewing at some point.

On to the workshops...

My first workshop was an Oriental number taught by one of Egypt's star dancers, Asmahan. The room was packed with eager students who wished to study with her. The choreography was stunning. STUNNING. Asmahan has such a commanding presence and one just can't help but to stare. I learned a lot from her workshop and can't wait to add some spice to my own creations.

My next workshop was with Jillina. What can I say about Jillina? She is amazing. I wish tiny, real-life pocket-sized Jillinas were available for purchase in stores so that I could carry her around with me where ever I went. Her personality is ridiculous (a good ridiculous). I had the time of my life in her workshop - and not just because it was a drum solo (anyone who knows me knows drum solos are my "ish") but because people just want to be around Jillina. She has such a pleasant and inviting, silly, girl next door personality... add in her kick-ass choreography and dance ability and you've got a belly dance girl crush. I loved every moment of her workshop.

BIG thanks to Virginia for hosting such a fabulous weekend of dance and to everyone who assisted in putting the event together. I was very happy to be exposed to the work of belly dance powerhouses in living color. Workshops make us better dancers and I can't wait for the next.

Happy 10 years, Virginia!

Nawar joins Dreams Bellydance Academy!

I can remember the first time that I saw Nathalie. It was about the time that I discovered belly dance and started taking classes back in 2006. After gaining some experience, I combed YouTube, viewed several dancers whom I am still in awe of and admire today, and this is when I found Nathalie. The first video I watched of her took my breath away. I was a level one student and it was my very first time viewing dancer and drummer together on stage. I remember telling myself that I wanted to move my hips just like her one day! I also remember posting that particular video on my Myspace page - back then, Myspace was still cool. So it is funny that after all of these years, I came back to South Florida and Nathalie had opened up her own dance studio. A week after my move, I was taking classes at Dreams Bellydance Academy.

When I first saw Nathalie I was shocked! I did not expect her to be so compact but looks are deceiving because this tiny dancer is a powerhouse and packs a booming and commanding voice. If you do not know who Nathalie is, please take the time to read her bio on her website. She has accomplished so much and stories such as hers are so inspiring to dancers who wish to reach for the stars. I am totally inspired by her. I had the opportunity to perform at Nathalie's one-year anniversary party two weekends ago and it was such an honor to see firsthand just how dedicated she is not only to her dance but moreso to her students. Nathalie is so passionate about each and every toddler, teen or woman who walks through her doors and the quality of dance that students gain is undeniable. It is truly amazing to see how her dancers blossom.

I am quite excited and humbled to be part of the Dreams Bellydance Academy as an intermediate/advanced-level instructor. I felt welcomed after the anniversary party performance. I received lots of wonderful feedback, including that of someone who walked up to me and, with gumption, told me that when I first walked out she didn't think I'd be anything special but by the end of my performance, she could barely keep her mouth closed - she was speechless and told me that she would be honored to take classes with me. That made my evening. That is why I dance.

My first class will be a HOT (and challenging) 8-week drum solo choreography course beginning Monday, November 8th at 8:45 PM with a teaser class on Thursday, November 4th at 8:45 PM. The teaser class is free so that students can see if my class is right for them. It will be a blast!!! Students can register on Dreams Bellydance Academy's website. I cannot wait to share my passion with students this November. Go to the website and register now! And Nathalie, if you are reading, a BIG thank you for welcoming me into your studio.

~Nawar

First YouTube video I saw of Nathalie:
http://www.youtube.com/watch?v=sb7KyGNf1Zo

Dreams Bellydance Academy website:
http://www.dreamsbellydance.com/

A Night in the Zulu Lounge

Where can you check out cabaret, tribal fusion and ATS belly dance as well as flamenco, hula and fire-dancing? Well, if you’re in the LA area, you can catch it all at The Zulu Lounge.

Produced by Zulu Tattoo and the Medianoche Dance Co. (Mrs. Zula’s dance troupe), The Zulu Lounge takes place every quarter at Boardner’s in Hollywood, CA. Here you’ll find music and dance artists from all over the country gathering together and strutting their stuff all in the name of fun, creative expression, and most importantly, CHARITY!

The proceeds for this session of The Zulu Lounge benefited Erase the Past - a free gang tattoo removal clinic that helps young adults and teens break ties with their gang by removing visible tattoos.

After entertaining performances including those with fire-swinging balls with spikes and the complete ingestion of fire, world famous DJ Cheb i Sabbah kept the party going on the ones and twos.

I had an amazing time at my first session of The Zulu Lounge and can’t wait for the next! Can we say….performance?!! I’ll keep you posted! :)

~Daneen

A Letter

Dear Stage Fright,

Why do you exist? I almost drove my best friend mad last night in preparation for a performance because of you. I danced in front of Bozenka last night (hence my nervousness) and prior to my arrival, there was mild hyperventilation, a slight feeling of faintness and nausea as well as a shaky leg here and there. Then when I got up to perform, all fears were gone in an instant! So, again, I ask...why must you even exist? I despise you. That is all.

Sincerely,

Nawar

"Going Back to the Golden Age" with Tamalyn Dallal

The 2010 Miami Belly Dance Convention has come to an end and piggy-backing off of my previous blog, I had to decide what workshops and shows were feasible for me to attend. I limited myself to the Saturday night gala and one workshop. Regrettably, duty called and I was unable to attend the show, which was also streamed live for viewers who wanted to enjoy the performances from the comfort of their homes, however, I decided to take Tamalyn Dallal's "Going Back to the Golden Age" workshop this morning.

When one thinks of Middle Eastern dance in Miami, Tamalyn's name will surface. For those who do not know of Tamalyn Dallal, she is an internationally-acclaimed teacher, performer, author, producer and public speaker. She is the founder of the Mid Eastern Dance Exchange, which she directed for 16 years. Thousands of dancers have studied under Tamalyn. She is highly spoken of, well-respected, and after meeting her today, I'll add in generous, humble and incredibly inspiring.

I chose this workshop because I adore the classic music from the times of Samia Gamal, Nagwa Fouad, Tahiya Karioca and other influential dancers of that era, and wanted to soak in the movement. I also selected this workshop because I did not have the opportunity to study with Tamalyn Dallal. During the time that she directed the Mid Eastern Dance Exchange I had no idea what belly dance was!! Little did I know that I'd receive so much more.

The workshop began with a warm-up followed by a history lesson. I'm a geek so I loved every second of the discussion. There is such intricate history behind the dance that I'm simply fascinated by. Attendees were briefed on influential singers and dancers of the Golden Age [1930s - 1970s]. As we sat, Tamalyn invited us to close our eyes and listen to the sounds of the Oud and Kanun - to visualize movement. Once we were up on our feet, we were challenged to release ourselves; we were instructed not to dance from the mind but rather from the heart. We were not to hit every tick or every tock like so many of us try to do. My old choreographies were so full of dance - I never took a moment to stop and let the audience just look at me and wonder what I'd do next... or feel what I was feeling. At the workshop, we were simply in the moment, going whichever way our bodies decided - not our minds. It's no easy task! When trying to reach my weekly quota of YouTube stalks - I watch dancers who emote even with their toes and I always aspire to emotionally connect with music in that way. I feel that my connection with music, or lack thereof, has been one of my challenges.

We danced to the most beautiful piece of music that took me on a journey. I literally felt like I was there.... I felt like I was in Afrita Hanem dancing for Farid El Atrache instead of Samia Gamal. After dancing with us a few times, Tamalyn watched us interpret her choreography. I was floored when, after we performed the piece as a group, she asked me my name and commented on how she liked my expression. "I'm sorry, what?" (That's what I said in my head.) At first I was confused because I didn't realize that I had hit the "on" button. My facial muscles hadn't felt pulled in any direction so I wasn't certain that she was talking about me. It turned out that she was and at that moment, my spirits were lifted. From that point on, all inhibitions were out the window and I emoted like my life depended on it. As the saying goes, I danced like no one was watching.

Towards the end of the workshop, we freestyled, which is always a liberating experience. There is no right or wrong move with freestyle. It's one's own interpretation and it was great watching a dancer feel something a little different from the previous one.

At the end of the workshop, I spoke with Tamalyn and she gave me one of the greatest compliments ever! It was already a humbling experience for me to be noticed during class but then to receive amazing feedback afterwards from someone who is a belly dance POWERHOUSE was...inspiring, to say the least. Just as in our day-to-day lives, sometimes we don't feel as though what we are doing is good enough or up to a certain standard. We might feel nervous or like we aren't up to par. Positive reinforcement is always such a wonderful tool to let someone know, "Hey, you're doing OK!"

I'll admit that following our post-workshop talk [after I did some shopping, of course], I left the building, sat in my car, smiled and then cried [I'm such a geek, ha!]. The entire morning that I spent within the walls of that room with Tamalyn and the other dancers was so memorable and so emotional [to me]; it left me... happy. I can't find a better word so a simple "happy" will suffice.

I am so humbled to have had the opportunity to learn from Tamalyn Dallal, even if only for a few short hours. Regrettably, she no longer resides in South Florida but I look forward to her next workshop this January. I am eternally grateful to Tamalyn for not only providing me a history lesson, beautiful movement and music but also for breaking my emotional silence. A big "thank you" is also in order to Nathalie for hosting such a fabulous event. I'm already looking forward to MBC 2011.

Decisions, Decisions...

Sigh - so much to do and so little money! Yes, "Elizabeth" moved back to Miami and found a wonderful job where she doesn't have to choose between feeding herself or feeding her dog but "Nawar" wants to spend all of "Elizabeth's" money and there's a rift growing between the two personalities. Do I prefer to eat daily, purchase gasoline to take me to and from work so I can make a living and ensure that I have utilities and a roof over my head or do I want to buy costumes that make me drool, jet set to far-off lands to engross myself in culture and take workshops from every dancer whom I aspire to be like? Decisions!! Sadly, my lucky numbers have been no luck at all since as I Iook around, I'm not swimming in a pile of money so I GUESS Nawar will have to make a few sacrifices and cut Elizabeth some slack.

Remember being a child at the grocery store with your mom or your dad, putting any and everything within arm's reach into the shopping cart? After getting scolded, mom or dad felt an ounce of pity and told you that you could have just one item of your choice. Damn! Bubblicious or Dunk-a-roos? This exact emotion has plagued me for the past few weeks because workshop after workshop taught by dancers I admire are surfacing like there's no tomorrow and logically, I can't attend them all... but I want to....

To give you an idea of what I am currently facing:

Morocco
Bozenka
Tamalyn Dallal
Nourhan Sharif
Ansuya
Jillina
Asmahan
Karim Nagi
Amar Gamal

This is just September and October and the list goes on! Add to that various performance and fashion shows, costumes, eye lashes, photo shoots, air tickets and regular weekly classes and you're living the American Dream.... living "the life" on the surface but racking up crazy debt and crying on the inside every time the credit card bill arrives. Sidebar - I don't own any credit cards. If I don't have the money for something, I don't need it! End Sidebar.


Photo courtesy of media.findinghomesforyou.com

Workshops are important tools for any dancer, from beginner to career professional. I have danced since I was a child; I've been a member of all sorts groups, troupes and entities that seemed more cult-like than anything, and I have also been a leader. I've never seen or felt the sense of community, respect and appreciation for a dance form as I've seen for belly dance and Middle Eastern dance forms in general. I currently study with someone whom, after a few classes, I am in complete and utter awe of. The other night she began teaching a form of dance that I'd never heard of [but am unequivocally in love with because hot damn, it's beautiful!] and in an instant, at another dancer's request, she spit out its history. Like other instructors, she encourages growth through learning from others. She said something to me the other day on the phone and she's right; when you walk out of a workshop you have a dance growth spurt. Learning from masters seems to automatically make you a better dancer, spiritually and technically. I'm fortunate to get to learn from someone who travels the world and has such a broad dance vocabulary so every class feels like a workshop! The feeling that I get when entering and leaving her class is the sense that takes over me when I see that someone I've belly stalked (I'll be the first to admit that I do this - no shame) will be teaching a workshop in a city near me. It's immeasurable. I turn into a kid all over again but this time, mom and dad aren't around to tell me I can only select one item so I put everything within arm's reach into the shopping cart and for a few months, Marshmallow and I live on breadless PB&J sandwiches and Goldfish crackers. How can I possibly be expected to choose?



Photo courtesy of mccuecorp.com

For the workshops that will be taking place within the next two months, I may try a series of ideas: flipping a coin, picking names from a hat, waiting until the last minute and attending those that haven't sold out.... I guess I don't have to attend all three shows at the Miami Belly Dance Convention... Sigh, life isn't fair.

*Animal Rights activists and dog lovers, Marshmallow does not go hungry! :)

~Nawar

Morocco: We call her "Aunt Rocky"

As we prepare to welcome the legendary Morocco to Atlanta for the first time in twenty years, I began thinking about why it is important to bring her here. Why, out all of the talented and beautiful artists, would we partner with Morocco?

Aside from being a leading authority in her field, one of the most well-respected performers in Oriental style dance, a recipient of many prestigious awards, a successful teacher and choreographer, and an artist renowned for her research and assistance in preserving traditional dance forms, I personally find her to be so much more.

How is that possible???

There's another side of Morocco never featured in all the marketing and promotional materials. You really only know this if you've had the opportunity to meet her or learn from her. I had the privilege of attending some of her workshops in April of last year and it was an amazing experience. It wasn't just the idea that I was learning from a living legend, but the fact that she's extremely humble, able to relate to all of the students in the room, and imminently APPROACHABLE.

I wasn't sure what to expect and may have been a bit intimidated because I was told she was a purist and did not approve of any deviation from traditional dance forms. I have read about her myself and I know she's credited with helping maintain the integrity and traditions of these beautiful dances, so I wasn't sure what her view would be on the newer adaptations I respect and enjoy.

After meeting her, I found her to be completely accepting of all styles of dance, not just those adhering strictly to tradition. She simply encourages dancers to become fully educated in the styles they practice. Many of you have probably heard her remark that she has no problem with fusion, but the dancers need to know what they are fusing. Otherwise, it’s just "con-fusion". These are powerful words and I don't think many of us would disagree with that statement and that’s part of the reason I wanted to take a moment to dispel some of the myths surrounding Morocco. I'm by no means an expert on this remarkable woman, but I think it's important to shed some light on the person behind the legend.

What prompted me to write this was the fact I was receiving questions from performers who practice both the traditional styles of Oriental dance and the newer fusion styles – all of whom were planning to attend our upcoming event in September. Some of them were concerned about offending Morocco and had heard she doesn't like anything outside of the true traditional art forms. This isn't true. Morocco has always exhibited a deep appreciation for the roots of our dance and the cultures from which these dances developed, but that doesn't mean she's not accepting of the newer forms of expression.

She simply wants dancers to take the time to study and understand the art they are performing. To put it simply, “One must know the rules before one breaks the rules.”

I don't find this unreasonable. So often we get caught up in technique, which is important, but not if it prevents us from taking the time to study the cultural and historical aspect of these beautiful dances and where they really come from.

Morocco was part of a discussion panel held during the NYC Theatrical Belly Dance Conference in July. It was something special to hear her contributions to the discussion of fusion versus traditional styles. The panel was comprised of dancers from various backgrounds with some known specifically for their "fusion" styles, but they all shared common ground - they were all well-educated in their studies and knew what they were talking about inside and out. And it was obvious. You could see each participant respected the other artists on the panel.

The other reason for writing this: I remember being a new student and hearing “this person is someone you want to study with”, or “that person is someone you need to take a classes from”. So often, it’s more like reading a long resume of achievements. It's hard to know who the experts are because, quite frankly, no one writes a resume or biography that doesn’t outline the achievements and accomplishments that make him or her credible. That's the purpose of a resume, and as promoters of these events, we often use those achievements to help illustrate why one should train with a particular person. It's all valid and well deserved, but I know in Morocco’s case, she brings so much more to the party than just credentials.

Let’s put aside my earlier statements that Morocco was not only humble, able to relate to her students, and approachable. She also brings a sense of humor to her work that is uncommon to say the least. She was able to engage all of the workshop attendees. She had funny references and was willing to share her personal experiences. You can't help loving the fact that this is a woman who speaks her mind and does not suffer fools lightly. She also took the time to answer the students' questions and never came across as standoffish, which is all too common. I've worked with plenty of artists who believe they have “arrived” and act as such, so it was incredibly refreshing to see this living legend so willing to be there genuinely for those students who spent their hard-earned money for the opportunity to learn from her.

Last, but not least, her teaching style is fantastic. There were several dancers in attendance who were still in the early stages of their studies, but I could see they were enjoying themselves. I think newer students sometimes believe these workshops are for intermediate and advanced dancers, but that's not the case. The workshops are tailored to all proficiency levels - you just need to be willing to learn. Regardless of your experience, you will walk away with a deeper understanding and appreciation of the dance you have embraced.

Did I mention she creates some kick-ass choreographies and she's got crazy mad zill skills!?

As you can see, there are numerous reasons why we chose to partner with Morocco. She's not only a legend, but an inspirational and beautiful person who has so much to share from her many experiences. I am honored to have studied with her and look forward to working with Nara and Samora to bring her to Atlanta so we can continue to promote education and integrity throughout our community.

With love,
Jenny (Noureen)

www.worldbellydancealliance.com
"Uniting the dance community one shimmy at a time!"

Belly Motions Summer Showcase 2010

Tonight, I attended my first belly dance theater production since moving back to sunny South Florida. Belly Motions put on its 2010 Summer Showcase at the Wertheim Performing Arts Center at Florida International University's south campus. Located in Coral Gables, Florida, Belly Motions, co-founded by Portia, is one of the largest academies for belly dance in the States. This evening's show featured nearly 100 dancers, student and professional, in 17 numbers. I was amazed that 17 performances fit into just under two hours!

I first learned about Portia and Belly Motions upon my move. I was searching for a studio where I could continue my belly dance education and Belly Motions surfaced. Regrettably, the studio is at too great a driving distance for me but I was definitely interested in checking out the show so I marked my calendar.

Everything was visually stimulating. I am a sucker for belly dance fashion and the costumes were gorgeous! There was just enough shine and shimmer to reach the eyes of the audience members seated in the nose bleed section on the upper level. The lighting suited each performance and a wide variety of props were used. The biggest attention-grabber, for me, were the adorable tiny dancers. They put the biggest smile on my face! When moms put their daughters in dance at a young age they typically start them off as ballerinas or tappers. Even I started out that way! So it was wonderfully refreshing to see baby belly dancers. They are tomorrow's stars!

Portia opened the show with a fabulous wings/veil number. Additional choreographies included Raks al Assaya, fan veil fusion, veil/sword fusion, classical Oriental, wings, a performance by Andrus, male belly dancer, and cleverly-choreographed drum solos. I have only ever seen Belly Motions dancers Portia, Xiomara and Roshana (love her) on YouTube so I was excited to be able to see them perform live. My only wish is that I could have seen the professionals dance longer but that being said, the show was well put together, began and ended on time and was danced effortlessly and beautifully!

For more on Belly Motions, visit http://www.bellymotions.com/.

Additional photos from the show may be viewed here:

http://picasaweb.google.com/Nawar.Belly.Dancer/BellyMotions2010SummerShowcase